Prints and Printmaking Projects
‘In the Dye House’, 2026, soft ground, etching with à la poupée monoprint.
I developed an interest in imagery that depicts craftworkers; figures mid-process, featuring their tools and studios as well as people in gallery spaces. This became the best way to express my love for process, craft and museums and established my indigo series and comic: illustrating Sukumo.
With the time spent on hand polishing, filing or sanding plates, engraving, inking and printing, sometimes there is more meaning in the time and labour spent on a process than its outcome. I see this also through textiles and indigo dye, with its many steps before vat dyeing, and many more in the preparation of objects and cloth. See my comic; The Living Blue, for more.
The Living Blue; the story of Sukumo
Works in Printmaking
‘Lucie Rie, Pottery Inspection’, 2025, copper plate etching with monoprint, transferred from a continuous line sketch.
‘The Ceramic Exhibition’, 2025, copper plate etching with monoprint.